In Perpetuity

$60.00

In Perpetuity is a new work for Percussion Orchestra commissioned by the Texas Christian University Percussion Orchestra, Brian A. West, Conductor for performance at the 2025 Percussive Arts Society International Convention IPEC Showcase Concert.

The piece explores the tension between repetition and transformation. Written for concert percussion ensemble, the piece begins with introspective, looping figures that evolve through layers of texture and color, gradually revealing motion, warmth, and hope. What begins as mechanical becomes human — a meditation on breaking cycles, shifting perspective, and finding beauty in persistence.

Personnel: 13 players

Duration: 6:36

Difficulty: Advanced

Composed: 2025

Commission: Texas Christian University Percussion Orchestra, Brian A. West, Conductor

In Perpetuity is a new work for Percussion Orchestra commissioned by the Texas Christian University Percussion Orchestra, Brian A. West, Conductor for performance at the 2025 Percussive Arts Society International Convention IPEC Showcase Concert.

The piece explores the tension between repetition and transformation. Written for concert percussion ensemble, the piece begins with introspective, looping figures that evolve through layers of texture and color, gradually revealing motion, warmth, and hope. What begins as mechanical becomes human — a meditation on breaking cycles, shifting perspective, and finding beauty in persistence.

Personnel: 13 players

Duration: 6:36

Difficulty: Advanced

Composed: 2025

Commission: Texas Christian University Percussion Orchestra, Brian A. West, Conductor

Program Notes

Early in 2025, I found myself stuck in a repetitive pattern in life. It’s a pretty concerning feeling - as if everything is set to cycle over and over into eternity. I noticed similar patterns in our society and the world we live in. It was painful to observe this, but I realized these perpetual events were not necessarily a problem: I just needed a new approach.

With “In Perpetuity” I wanted to express this concept in a way that only music can attempt to resolve. The piece begins with a spacious, contemplative vibraphone solo that seeks to understand how to work with the steady, unyielding xylophone groove. From there, more voices work together to take the listener to new places, eventually embracing and morphing the perpetual motifs into something truly hopeful. Some of the darkest, most dissonant moments of the piece are later reimagined and heard in a new light, carrying forward into an energetic and uplifting conclusion.

- Brandon Cummings

Instrumentation

Chimes

Bells & Crotales

Vibraphone 1

Vibraphone 2

Xylophone

Marimba 1 (4.6 octave, playable on a 4.3)

Marimba 2 (5.0 octave)

Marimba 3 (5.0 octave)

Marimba 4 (5.0 octave)

Timpani (5 drums)

Percussion 1 - 4 Toms, Ride Cymbal, Sizzle Cymbal, China Cymbal, Splash Cymbal, Wind Chimes, Tam-Tam (shared with Perc 3)

Percussion 2 - Snare Drum, China Cymbal, Concert Bass Drum, Slapstick

Percussion 3 - 3 Suspended Cymbals, Triangle (mounted), Zil Bel/Brake Drum, Garden Weasel, Wind Chimes, Hand Cymbals, Ocean Drum, Tam-tam (shared with Perc 1)

Performances

Texas Christian University Percussion Orchestra, Dr. Brian A. West, conductor - Percussive Arts Society International Convention (IPEC Showcase Concert) - 11/13/2025

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